Cheryl North: Three talented violinists take solo turns with the Young People's Symphony Orchestra + MORE

 

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conductor

Critic’s Notebook: Stephen Costello and Tamara Wilson Show Opposing Approaches + MORE

The Met’s recent performances of “La Traviata” and “Aida” showcased both the potential pitfalls and the triumphs that await young Americans singing Verdi..... More »
strings

Fiddler on the Roof, Grange Park Opera, Hampshire, UK — review + MORE

Bryn Terfel gives a towering performance in a musical that still feels uncomfortably relevant.... More »
concerto

'I am listening to Joseph Bologne's violin concertos for the first time and I feel such pride to know that works of such high nobility have flowed from black people also.' + MORE

Violin Concertos, Op. 5, Nos. 1 & 2;Op. 3, No. 1; Op. 8, No. 9Bernard Thomas Chamber OrchestraJean-Jacques Kantorow, Violin Arion 68093 (1990)Le Chevalier de Saint-Georges (1745-1799)is featured at AfriClassical.comSamuel Enoh-Tanya of Cameroon made a post in the Guest Book of Afr.... More »
virtuoso

The Cunning Peasant + MORE

Despite writing eleven operas, Dvorak is still best known for his penultimate, Rusalka, which was written in 1901. This year Buxton Festival revived his 1887 comedy The Jacobin (see my review) which was one of the most successful of Dvorak's operas during his lifetime. Now the Guildhall School of Mu.... More »
performance

English Touring Opera Triumphs with Tippett’s King Priam + MORE

 Tippett, King Priam: Soloists, Orchestra and Chorus of English Touring Opera / Michael Rosewell (conductor), Linbury Studio Theatre, Royal Opera House, Covent Garden, 13.2.2014 (MB) Cast: King Priam – Roderick Earle Hecuba – Laure Meloy Hector – Grant Doyle Andromache – Camilla Roberts Pa.... More »
Gidon Kremer’s ensemble focused on works by the Warsaw-born composer Mieczyslaw Weinberg, including a heroic performance of the Symphony No. 10

Continue Reading On www.ft.com »

Riccardo Muti is steadfast in his search to connect the musical past and present in the Chicago Symphony Orchestra’s mission

Continue Reading On www.suntimes.com »

Audio Book & Text: A Wagner Matinée. Willa Cather“The first number was the Tannhäuser overture. When the violins drew out the first strain of the Pilgrim’s chorus, my Aunt Georgiana clutched my coat-sleeve. Then it was that I first realized that for her this singing of basses and stinging frenzy of lighter strings broke a silence of thirty years, the inconceivable silence of the plains…

Continue Reading On www.the-wagnerian.com »

Who gives the best concerts in Japan?

– www.artsjournal.com/slippeddisc

Who gives the best concerts in Japan?A panel of 44 music critics and journalists picked the best classical concerts held in Japan from December 1, 2012 to November 30, 2013. The winner is pictured below. Here’s the list: 1. 16 points / City of Birmingham Symphony Orchestra conducted by Andris Nelsons 2. 15 points / Nissei Theater – Reimann’s “Lear” 3…

Continue Reading On www.artsjournal.com/slippeddisc »

Rameau minus one elitist convention

– www.overgrownpath.com

Rameau minus one elitist conventionFellow blogger Jessica Duchen offers admirable advocacy of the Rameau anniversary. However my antipathy towards composer anniversaries means I have little enthusiasm for the 250th anniversary of Rameau’s death, despite a profound admiration for his music. But, in view of the general acceptance that formal dress is one of classical music’s elitist conventions, I do have one wish for the Rameau anniversary: that Warner reissues Scott Ross’ masterly 1988 recording of the complete harpsichord music using the original artwork seen above…

Continue Reading On www.overgrownpath.com »

One of the stranger aspects of the last twenty years of operatic history is that one of the most provocative of all productions was not of an opera at all. In hisTheodora for Glyndebourne in 1996, Peter Sellars set Handel’s quiet reflection on virtue, martyrdom, and execution in the modern United States…

Continue Reading On unpredictableinevitability.com »

Soul of the Nation

– www.newmusicbox.org

The artist Boris Schatz once famously said that “art is the soul of a nation.” Working as a composer and presenter of new music in Washington, D.C., where our business is the nation, I tend to think of this phrase a lot.

Continue Reading On www.newmusicbox.org »

Conductor is fired in Hungary. Politics suspected.

– www.artsjournal.com/slippeddisc

Conductor is fired in Hungary. Politics suspected. Laszlo Kovacs was dismissed last week as artistic director and conductor of the North Hungarian Symphony Orchestra in Miskolc. He has held the job for 30 years and his contract was only renewed last August. It appears that an incoming new manager decided that Kovacs did conform to the political realities…

Continue Reading On www.artsjournal.com/slippeddisc »

Meet Class Notes Artists Odelia Trio

– minnesota.publicradio.org

Meet Classical MPR's Class Notes Artists the Odelia Trio, who have been visiting elementary schools in Rochester, Minn., to teach students about chamber music.

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The maestro’s nose: Fabio Luisi is making smellsFabio Luisi and his FL Parfums — photo by Barbara Luisi
A silly title, to grab your attention, about the very serious hobby of one of the world’s top conductors: Fabio Luisi creates perfumes.
Luisi’s pastime has recently taken on a more professional aspect, as he’s decided to sell his creations commercially: FL Parfums…

Continue Reading On www.gramilano.com »

Reinhard Goebel and Mirijam Contzen talk To Edward Seckerson about the new recording of Six Mozart Violin Concertos In Leopold Mozart’s old house (now a museum) in the Bavarian city of Augsburg a piano tuner is hard at work tuning one of the working exhibits – a venerable clavichord. Enter Reinhard Goebel and Mirijam Contzen whose new Oehms Classics recording of the Six Mozart Violin Concertos with the Bayerische Kammerphilharmonie is sure to stimulate lively debate and maybe even raise eyebrow or two in the coming months…

Continue Reading On www.edwardseckerson.biz »

Symphony guide: Mozart's 31st ('Paris')‘I hope that even these idiots will find something in it to like’, wrote the young composer of his Parisian audience. Calculated to please, Mozart’s brilliantly wrought and supremely confident symphony is still delighting audiences nearly 250 years later. • All articles in this series Paris, spring 1778…

Continue Reading On www.guardian.co.uk »

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