Marc-André Hamelin at Zankel Hall + MORE
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Richard Strauss Der Rosenkavalier opened Glyndebourne's 80th anniversary season, dedicated to the memory of George Christie, who created country house opera as we know it today. "My father loved Der Rosenkavalier", said Gus Christie."I think he would have likedthis production", he added with a wink,.... More »
I'm delighted to announce that a new disc of premieres by the late Peter Lieberson, with liner notes by yours truly, has just been released on Bridge Records. Including performances by pianist Steven Beck, violist Roberto Díaz, and the Odense Symphony Orchestra conducted by Scott Yoo, these are fir.... More »
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Gavrylyuk Inspires At The Russian Festival - www.seenandheard-international.com Rachmaninoff: Alexander Gavrylyuk, piano, Vancouver Symphony Orchestra, Bramwell Tovey, conductor: Orpheum Theater, Vancouver, 29/31.3.2014 and 5/7.4.2014 (GN) Rachmanino.... More »
Saturday, April 12 begins Minnesota Opera's two-week run of The Magic Flute at the Ordway Center for the Performing Arts. But what is 'The Magic Flute' all about? A new video from Classical MPR provides a plot summary of the iconic opera..... More »
An intriguing show starts at the Barbican Theatre on 18 February, when Circa and the Debussy String Quartet present Opus. Circa is a leading Australian circus company and the Debussy String Quartet is a French string quartet formed in 1990 and based in Lyon. At the Barbican the quartet will be playi.... More »
He said them very well, in this Chron article and in a subsequent blog posting. Ignore the article headline; the contract for Vanska’s upcoming conducting stint at SFS was certainly signed long before the MOA lockout of the musicians. And Joshua didn’t write it, so don’t blame him.
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October 18- November 1 2014: Don GiovanniJanuary 10-24 2015: ToscaFebruary 21- March 7 2015: SemeleMay 2-16 2015: Ariadne auf Naxos
Seattle Opera announced the 2014-2015 season today.
Official 2014-2015 Site
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“Revenue for performances in the [Metropolitan] opera house ended up at 69% of total potential box office revenue in the 2012-2013 season (79% of seats were purchased, including discounts).” [Annual Financial Information & Operating Data]
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In all of my experiences with classical music as a youth, what I remember the most is feeling included. I was never made to feel that I was too young, too ethnic, too urban, or too uninformed to appreciate classical music.
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Boston Modern Orchestra Project never seems to run out of juice. It fills a need. It mounts concerts that manage to be both one-stop shopping for the merely curious and essential for professionals. The “modern” in the name has always been as much stylistic as calendrical, but its concert at Jordan Hall on January 17 was aggressively new: three world premieres in wildly disparate styles.
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[Florence B. Price (1887-1953) is profiled at AfriClassical.com, which features a comprehensive Works List and a Bibliography by Dr. Dominique-René de Lerma, www.CasaMusicaledeLerma.com.]Dr. Lise Keiter, PianistTitled “Women of the American Symphonic Landscape,” this concert features music written by American Women, and especially Florence Price and her Piano Concerto in One Movement with piano soloist Dr…
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Jacques CohenJacques Cohen and the Isis Ensemble are performing at the Purcell Room on 31 March 2014 in a concert entitled Love Journeys including music by Sibelius, Andrzej and Roxanna Panufnik, Brahms and Dvorak. Composer as well as conductor, the concert also features the premiere of Jacques’s song cycle Love Journeys, setting poems by James Joyce, which will be performed by Marie Vassilou…
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Sunday’s performance of Béla Bartók’s Quartets Nos. 2, 4 and 6 at Stanford Bing Concert Hall complemented a performance the previous night of the composer’s Quartets Nos. 1, 3 and 5. The group will perform the whole Bartók cycle again March 22-23 at UC Berkeley’s Hertz Hall.
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Marian Anderson: Rare Live Broadcast Performances; VAI 1275 (2013) (72 min., Mono)VAI MusicPreviously unpublished radio performances by one of the greatest vocal artists of the twentieth century. This collection presents Anderson in a wide range of repertoire, including songs and arias by Bach, Handel, Mozart, Schubert, Verdi, Brahms, Fauré, Saint-Saëns, and Sibelius, as well as spirituals…
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It isn’t often, nowadays, that a pianist opens a concert with one of his own compositions. There was a time, perhaps spanning the centuries from Mozart to Liszt and encompassing a host of lesser luminaries, when all the great pianists composed, or at least improvised. We have Stephen Hough, maybe Thomas Adès, and, in the years to come, Daniil Trifonov…
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