Muti’s daughter to direct Netrebko in Manon Lescaut + MORE

 

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orchestra

Music Review: New York Philharmonic’s Fourth of July Celebration + MORE

The New York Philharmonic performed an Independence Day concert, including arrangements of “The Star-Spangled Banner” and Americana chestnuts like “Take Me Out to the Ballgame.”.... More »
opera

'Magic Flute' B Cast + MORE

Charles T. Downey, Washington National Opera’s ‘Magic Flute’ features strong opening and alternative casts Washington Post, May 7, 2014 Mozart, Die Zauberflöte, D. Behle, M. Petersen, Akademie für Alte Musik Berlin, R. Jacobs (Harmonia Mundi, 2010) [Review] Washington National Opera opened.... More »
virtuosos

The Week in Reviews, Op. 28: Anne Akiko Meyers, Hilary Hahn, Regina Carter in concert + MORE

By Robert Niles: In an effort to promote the coverage of live music, each week Violinist.com brings you links to reviews of notable violin performances from around the world. We'd love to hear about any recent concerts and recitals you've attended, too. Or just tell us what you think about these rev.... More »
classical music

A Cozy Evening with Von Otter, Ax, and Brahms + MORE

 Brahms, Tor Aulin, Nico Muhly: Anne Sofie von Otter (mezzo-Soprano), Emanuel Ax (piano), Carnegie Hall, New York City. 28.1.2014 (DS) Brahms: “Erlaube mir, feins Mädchen” Es wohnet ein Fiedler” from Deutsche Volkslieder, No. 2 “Mädchenlied,” Op. 85, No. 3 Tor Aulin:.... More »
classical music recital

Dialogues des Carmélites, Royal Opera, 2 June 2014 + MORE

Images: Stephen Cummiskey/Royal Opera House  Royal Opera HouseChevalier de la Force – Yann BeuronMarquis de la Force – Sir Thomas AllenBlanche de la Force – Sally MatthewsThierry – Neil GillespieMme de Croissy – Deborah PolaskiSister Constance – Anna ProhaskaMother Marie – So.... More »

Andrew Norman: Empowering Performance

– www.newmusicbox.org

For composer Andrew Norman, the process of composing feels like a tug-of-war between opposing forces. From start to finish, he is constantly questioning, and pushing back on his own ideas in his efforts to create meaningful musical experiences for performers and for audiences. He revels in the visceral experiences of music making, and thoughtfully challenges performers to bring their own ideas to the interpretation of his music.

Continue Reading On www.newmusicbox.org »

Join American Opera Projects (and Google) in honoring Harriet Tubman for Black History Month.Harriet TubmanONLY 18 DAYS LEFT!Click HERE to visit the Lines of Freedom Kickstarter Campaign and watch a video previewing the fantastic music of both shows.

Continue Reading On africlassical.blogspot.com »

Ronald Binge: Listings of Music recorded on the Guild Light Music Series.At the time of writing this post (February 2014) there are some 22 CDs listed in the Arkiv catalogue featuring the music of Ronald Binge.  There are also about 22 individual works listed.  Unfortunately only one disc is currently dedicated to the composer –Marco Polo 8.223515 – which was released 20 years ago…

Continue Reading On landofllostcontent.blogspot.com »

Rameau 250: don't just sit there, do something!Jean-Philippe Rameau died 250 years ago, so there’s a nice anniversary to provide an excuse to spotlight him. He’s an absolute magician – just as his later successors, Ravel and Debussy, would be. I’m a late convert to French Baroque: I’ve grown to love the richness of its musical invention, its startling originality, its mellifluous beauty and its dizzying range of emotion – excitement, humour, sparkle, pathos and more – and Rameau is one of its reigning triumvirate, alongside Lully and Couperin…

Continue Reading On jessicamusic.blogspot.com »

Peter Grimes; Tippett Quartet – reviewColiseum; Kings Place, LondonThe ‘risk and courage’ of Britten’s 1945 masterpiece are ever apparent in ENO’s revival of David Alden’s productionNowhere is the jeer of moral rectitude, hissed from the collective guts of a vengeful crowd, more deafening than in Britten’s Peter Grimes. At the moment of crisis this Suffolk community, bigots all, spits out the accused’s name three times, each instant a massed choral utterance with a deathly silence in between, save for a solitary, muted brass note eerily sounding from the orchestra pit…

Continue Reading On www.guardian.co.uk »

February on the South Bank

– www.planethugill.com

February on the South BankFebruary on the South Bank includes major choral works from Elgar, Verdi, Poulenc and Brahms along with Ravel’s Daphnis and Chloe, there is also rare repertoire from Balakirev, Khachaturian and Kalinnikov plus a portrait of Karin Rehnqvist. As well as a rare appearance from Maurizio Pollini and some South Asian Dance from Akademi…

Continue Reading On www.planethugill.com »

John Malveaux: African Americans & The Metropolitan OperaJohn Malveauxofwww.MusicUNTOLD.comwrites:I recently chatted with a woman who excitedly shared the benefits of attending ‘LIVE in HD’ (Metropolitan Opera) in movie theaters. I generally listen to broadcast over KUSC Classical Radio but have not seen a production in High Definition. I wondered if ‘LIVE in HD’ may present an opportunity for MusicUNTOLD to promote opera and establish greater identity/awareness within the African American community  of African American opera stars…

Continue Reading On africlassical.blogspot.com »

Muti’s daughter to direct Netrebko in Manon Lescaut

– www.artsjournal.com/slippeddisc

Muti’s daughter to direct Netrebko in Manon LescautAnna Netrebko has told Corriere  della Sera that she has signed up for a Rome Opera debut in September, to be conducted by its music director and directed by his daughter Chiara. It will be the first time Anna works with any of the Muti family. Chiara, 40, a film and theatre actress who is […]

Continue Reading On www.artsjournal.com/slippeddisc »

Minnesota boss takes 15% pay cut in bid to save his job

– www.artsjournal.com/slippeddisc

Minnesota boss takes 15% pay cut in bid to save his jobMichael Henson, the vastly unpopular president and CEO of the Minnesota Orchestra, has announced that he will fulfil a pledge to take the same pay reduction as the musicians. Whether this will save his seat is other matter. The musicians are due to meet the new chairman, Gordon Sprenger, next week and Henson’s future will be […]

Continue Reading On www.artsjournal.com/slippeddisc »

Don Giovanni – review

– www.guardian.co.uk

Don Giovanni – reviewRoyal Opera House, LondonKasper Holten’s new production is visually spectacular, but amid uneven performances, the drama and music lack fizzKasper Holten’s new production of Don Giovanni plays its trump card before the overture has even ended. As the names in Leporello’s catalogue proliferate like ivy over the facades of Es Devlin’s set, it’s clear that this is going to be an evening of technological virtuosity, and that Luke Halls’ video designs are going to figure very prominently…

Continue Reading On www.guardian.co.uk »

ETO On Tour: The Magic Flute March - May 2014“Meanwhile Wagner had been doing his best to raise the standard of opera in Zurich. As we have seen, he opened the season on the 4th October, 1850, with Der Freischutz. He further conducted La Dame Blanche of Boieldieu on the llth and 18th, Norma on the 21st, Freischutz again on the 27th, Don Giovanni on the 8th and 18th November (again on the 26th March, 1851), the Magic Flute on the 29th November”THE LIFE OF RICHARD WAGNER VOLUME TWO 1848 1860 – Newman”I was furious “, Bulow wrote to his father, ” when I remembered how it used to be said in Dresden that Wagner conducted Mozart’s operas badly on purpose, because in his vain self-esteem he could not tolerate this music! He shows towards Mozart a warm, living, unselfish, but rational piety to which none of Mozart’s pseudo-worshippers will ever attain…

Continue Reading On www.the-wagnerian.com »

Review: The Cambridge Wagner Encyclopedia. With An Extensive PreviewThe Cambridge Wagner EncyclopediaEDITOR: Nicholas VazsonyiDATE PUBLISHED: November 2013FORMAT: HardbackISBN: 9781107004252Encyclopedias, especially specialist, one volume sets, are works fraught with risks. There is of course the question of what to include and what to exclude. The intrepid editor is unlikely to satisfy all readers with what is given inclusion and worse will be those facts that are left in the editors waste basket…

Continue Reading On www.the-wagnerian.com »

Review: Hilary Hahn plays the Nielsen Violin Concerto with the LA PhilBy Laurie Niles: Something I love about Hilary Hahn is that she asks more of her listener than to sit back and be entertained.

Sure, she can whip up the best of traditionally palatable and entertaining virtuoso fare. But she also can make the unlikely seem inevitable, like a chef who makes spinach ice cream seem like the most delectable creation since buttered toast…

Continue Reading On www.violinist.com »

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