Platinum Consort OAE Christmas Oratorio Kings Place 19 December 2013 + MORE Jan 1st

 

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classical music

Lying About Hitler: Why Historians Reject Nazi Opera Conspiracies—and Why We Must Follow their Example + MORE

Every book has its target audience. The question is as to what the target of Nazi opera conspiracy books might be. It is likely to be an audience interested in opera, music and art history. It is likely to be a popular audience interested in the history of the Holocaust, some of whom have heard that.... More »
symphony

Magnitude Ensemble/Volkov review Stewart Lee lends his voice to experimental evening + MORE

Village Underground, LondonA concert of new and improvised work ranged from extraordinary to excruciating but it was certainly never predictableThis concert of new work and improvisation, put together by the pianist Tania Chen, was entitled Familiar/Unfamiliar, but there was little evidence of the .... More »
recital

In CNN segment on YouTube, pianist Roy F. Eaton compares his experiences as an advertising executive of color to the TV series 'Mad Men' + MORE

A CNN segment on YouTube allows pianist Roy F. Eaton to compare his personal experiences as a pioneering advertising copywriter and music director of color to those depicted in the television series Mad Men on http://www.amctv.com/:My "15 minutes" extendshttps://www.youtube.com/watch?v=Pb03Cx1l.... More »
symphonies

Meet...Jeremy Denk. Tomorrow. + MORE

Tomorrow at LSO St Luke's the one and only Jeremy Denk is giving a recital of Bach's Goldberg Variations and some of Ligeti's unbelievable piano Etudes. I am interviewing him on stage afterwards. Please come and join us. Above, a taster. Here's the website (the talk is not on it, but it is definitel.... More »
maestros

Cottier Chamber Project review a gutsy, fresh festival + MORE

Cottiers Theatre, GlasgowWith a borrowed piano and a deep fund of goodwill, Scotland's finest chamber musicians gather for a fourth time to produce a formidable and exciting concert seriesNow in its fourth year, the Cottier Chamber Project is thriving. This gutsy, lo-fi concert series operates on a .... More »
Kate Soper and Gelsey Bell, by Kobi Davis

Welcome to 2014—and what a crazy weekend for contemporary American opera in NYC January 11-12 is turning out to be. Not only will the second PROTOTYPE Festival be in full swing (about which more to come), but Morningside Opera will present Here Be Sirens, a new chamber opera by composer-vocalist Kate Soper, at Dixon Place on Saturday night and Sunday afternoon…

Continue Reading On nightafternight.blogs.com »

How was batman at the Met? First review here.

– www.artsjournal.com/slippeddisc

How was batman at the Met? First review here.Paul Pelkonen must have been the only NY critic to eschew the bubbles on New Year’s night. He went to the Met and saw Fledermaus in Jeremy Sams’s new production. Here’s what he thought. Eisenstein (Christopher Maltman) woos Rosalinde (Susanna Philips) in Act II of Die Fledermaus.) Photo by Ken Howard/Metropolitan Opera.

Continue Reading On www.artsjournal.com/slippeddisc »

New Classical Tracks: 'though love be a day'

– minnesota.publicradio.org

Antioch Chamber Ensemble, a 12-voice mixed choir from the New York area, have a new CD that puts clear, warm sound in the spotlight with 15 song settings by composer Matthew Brown.

Continue Reading On minnesota.publicradio.org »

Afro-Cuban Violinist and Composer José Silvestre White Was Born in Cuba December 31, 1835[José Silvestre White (1835-1918), Afro-Cuban violinist and composer. Shown here after he received the 1st prize for violin at the Conservatoire de Paris in 1856. Bibliothèque Nationale de France]José Silvestre White is featured at AfriClassical.com, with a Works List by Prof. Dominique-René de Lerma, http://www…

Continue Reading On africlassical.blogspot.com »

Lisa Bielawa: Fire Starter

– www.newmusicbox.org

It’s difficult to stand anywhere near composer and vocalist Lisa Bielawa and not feel energized by proximity. An extrovert to the core, she acknowledges that her highly social nature has taken her in some specific directions both as a composer and as a musical citizen.

Continue Reading On www.newmusicbox.org »

A Happy New Ramellian Year!

– www.boulezian.blogspot.com

Jean-Philippe Rameau died 250 years ago, in 1764. Not, alas, that our opera houses seem remotely interested in the anniversary…

Continue Reading On www.boulezian.blogspot.com »

The Use of Buddhist and Hindu Concepts in Wagner's Stage Works - Peter BassettBuddha: V&A MuseumThe following is taken from a presentation given by Wagner scholar Peter Bassett during the Melbourne Ring in 2013 – which can be heard by clicking here. Printed here with kind permission of the author.Peter, is author, among much else, of lasts years study of Wagner and Verdi: 1813: Wagner and Verdi…

Continue Reading On www.the-wagnerian.com »

A. Vivaldi, Orlando furioso (1714), R. Novaro, R. Basso, Modo Antiquo, F. M. Sardelli
(released on November 13, 2012)
Naïve OP30540 | 160’40"Orlando furioso is Vivaldi’s most famous opera, having been known in modern revival since the 1970s, and it was already recorded for Naïve’s Vivaldi Edition in 2005, by Jean-Christophe Spinosi and Ensemble Matheus…

Continue Reading On ionarts.blogspot.com »

Grossenbacher/Ensemble Modern/ORF SO Wien/Deutsches SO Berlin/ Deutsche RPO Saarbrucken/Hefti(Col Legno)This collection of orchestral pieces conducted by David Philip Hefti himself overlaps with a Neos disc of the 38-year-old Swiss composer’s music that appeared last year. The sibling pieces Klangbogen from 2009, and the cello concerto Gegenklang, composed immediately afterwards and seemingly continuing the musical argument of its predecessor, are common to both; the remaining pieces here follow the timeline of Hefti’s orchestral work right up to last year…

Continue Reading On www.guardian.co.uk »

Platinum Consort OAE Christmas Oratorio Kings Place 19 December 2013 Bach: Christmas Oratorio: Parts I, III, V, VIPlatinum Consort, Orchestra of the Age of EnlightenmentScott Inglis-Kidger, condKings Place, London 19 December 2013In a season dominated by Messiahs, spare a thought for the Christmas Oratorio. Were it not for Handel’s perennial singalong, Bach’s masterpiece would have far higher visibility on our Christmas programmes – and it certainly does on the continent…

Continue Reading On orpheuscomplex.blogspot.com »

Prina Donna

– lietofinelondon.wordpress.com

Review – Arias For Senesino – Sonia Prina & Ensemble Claudiana
Sonia Prina’s recital at Wigmore Hall was one of vocal verve, staggering technique and interpretive eloquence.
Rarely – if ever – have I heard these arias written by Handel for Senesino performed with such gusto, Ms Prina and Ensemble Claudiana imparting a deep love of Handel’s music from start to finish…

Continue Reading On lietofinelondon.wordpress.com »

New year, New York, new opera

– operaobsession.blogspot.com

New year, New York, new operaSilvester fireworks in MainzI have an operatically eventful January ahead of me here in Germany: Enescu in Frankfurt, Verdi in München, hopefully a Wozzeck double-bill in Darmstadt, and if I can manage it, Elektra in Dresden. I am, believe it or not, planning to get some work done as well. But while all this excitement is keeping me busy over here, my beloved New York will also be having a very exciting month of opera…

Continue Reading On operaobsession.blogspot.com »

Critic’s Notebook: Maestro at Work: Hold That CoughConductors and concert performers deal with a bronchial audience in various ways.    

Continue Reading On www.nytimes.com »

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