Cheryl North: Three talented violinists take solo turns with the Young People's Symphony Orchestra + MORE

 

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recitals

As Met deadline looms, could opera survive without a orchestra? + MORE

Today is the Met’s deadline for reaching a wage agreement with musicians, or locking them out. Dr Gerald Stein, a Chicago psychotherapist and www.slippedisc.com contributor, is a passionate, lifelong concertgoer. He is involved with music and musicians in his community. But Dr Stein has some c.... More »
symphony

Salomon Orchestra in Suk's Asrael Symphony + MORE

Guy Johnstonphoto Ben WrightThe Salomon Orchestra's concert on Tuesday 14 October 2014 at St John's Smith Square, had an all Czech flavour. Conducted by Philip Hesketh, the first half consisted of Dvorak's Cello Concerto with Guy Johnston as the soloist, and in the second half the massive Asrae.... More »
performance

Hilary slays Berlin in last concerts before birth + MORE

Christiane Peitz in the Tagesspiegel says Ms Hahn had the Philharmonic audience at her feet in the penultimate concert before she retires to give birth to her first child. ‘An unbelievable woman,’ raves Christiane. Read her review here (auf Deutsch). Thursday night she plays Vienna, and .... More »
recitals

Matthew Shilvock appointed general director of San Francisco Opera + MORE

Associate general director to step into the job being vacated by his boss, David Gockley.... More »
symphony news

Grippingly vibrant - Carmen at ENO + MORE

Carmen Act 4 - ENO - photo Alastair Muir Bizet Carmen; Justina Gringyte, Eric Cutler, Leigh Melrose, Eleanor Dennis, dir: Calixto Bieito, cond: Sir Richard Armstrong; English National Opera at the London Coliseum Reviewed by Robert Hugill on May 20 2015 Star rating: 5.0 Dystopic .... More »
Gidon Kremer’s ensemble focused on works by the Warsaw-born composer Mieczyslaw Weinberg, including a heroic performance of the Symphony No. 10

Continue Reading On www.ft.com »

Riccardo Muti is steadfast in his search to connect the musical past and present in the Chicago Symphony Orchestra’s mission

Continue Reading On www.suntimes.com »

Audio Book & Text: A Wagner Matinée. Willa Cather“The first number was the Tannhäuser overture. When the violins drew out the first strain of the Pilgrim’s chorus, my Aunt Georgiana clutched my coat-sleeve. Then it was that I first realized that for her this singing of basses and stinging frenzy of lighter strings broke a silence of thirty years, the inconceivable silence of the plains…

Continue Reading On www.the-wagnerian.com »

Who gives the best concerts in Japan?

– www.artsjournal.com/slippeddisc

Who gives the best concerts in Japan?A panel of 44 music critics and journalists picked the best classical concerts held in Japan from December 1, 2012 to November 30, 2013. The winner is pictured below. Here’s the list: 1. 16 points / City of Birmingham Symphony Orchestra conducted by Andris Nelsons 2. 15 points / Nissei Theater – Reimann’s “Lear” 3…

Continue Reading On www.artsjournal.com/slippeddisc »

Rameau minus one elitist convention

– www.overgrownpath.com

Rameau minus one elitist conventionFellow blogger Jessica Duchen offers admirable advocacy of the Rameau anniversary. However my antipathy towards composer anniversaries means I have little enthusiasm for the 250th anniversary of Rameau’s death, despite a profound admiration for his music. But, in view of the general acceptance that formal dress is one of classical music’s elitist conventions, I do have one wish for the Rameau anniversary: that Warner reissues Scott Ross’ masterly 1988 recording of the complete harpsichord music using the original artwork seen above…

Continue Reading On www.overgrownpath.com »

One of the stranger aspects of the last twenty years of operatic history is that one of the most provocative of all productions was not of an opera at all. In hisTheodora for Glyndebourne in 1996, Peter Sellars set Handel’s quiet reflection on virtue, martyrdom, and execution in the modern United States…

Continue Reading On unpredictableinevitability.com »

Soul of the Nation

– www.newmusicbox.org

The artist Boris Schatz once famously said that “art is the soul of a nation.” Working as a composer and presenter of new music in Washington, D.C., where our business is the nation, I tend to think of this phrase a lot.

Continue Reading On www.newmusicbox.org »

Conductor is fired in Hungary. Politics suspected.

– www.artsjournal.com/slippeddisc

Conductor is fired in Hungary. Politics suspected. Laszlo Kovacs was dismissed last week as artistic director and conductor of the North Hungarian Symphony Orchestra in Miskolc. He has held the job for 30 years and his contract was only renewed last August. It appears that an incoming new manager decided that Kovacs did conform to the political realities…

Continue Reading On www.artsjournal.com/slippeddisc »

Meet Class Notes Artists Odelia Trio

– minnesota.publicradio.org

Meet Classical MPR's Class Notes Artists the Odelia Trio, who have been visiting elementary schools in Rochester, Minn., to teach students about chamber music.

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The maestro’s nose: Fabio Luisi is making smellsFabio Luisi and his FL Parfums — photo by Barbara Luisi
A silly title, to grab your attention, about the very serious hobby of one of the world’s top conductors: Fabio Luisi creates perfumes.
Luisi’s pastime has recently taken on a more professional aspect, as he’s decided to sell his creations commercially: FL Parfums…

Continue Reading On www.gramilano.com »

Reinhard Goebel and Mirijam Contzen talk To Edward Seckerson about the new recording of Six Mozart Violin Concertos In Leopold Mozart’s old house (now a museum) in the Bavarian city of Augsburg a piano tuner is hard at work tuning one of the working exhibits – a venerable clavichord. Enter Reinhard Goebel and Mirijam Contzen whose new Oehms Classics recording of the Six Mozart Violin Concertos with the Bayerische Kammerphilharmonie is sure to stimulate lively debate and maybe even raise eyebrow or two in the coming months…

Continue Reading On www.edwardseckerson.biz »

Symphony guide: Mozart's 31st ('Paris')‘I hope that even these idiots will find something in it to like’, wrote the young composer of his Parisian audience. Calculated to please, Mozart’s brilliantly wrought and supremely confident symphony is still delighting audiences nearly 250 years later. • All articles in this series Paris, spring 1778…

Continue Reading On www.guardian.co.uk »

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