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Ethelbert Nevin[January 2017.]Jean-Pierre DROUET: Vie de famille (1999). Ensemble Aleph: Monica Jordan (sop), Dominique Clément (clar), Christophe Roy (vlc), Sylvie Drouin (accordion, synth), Françoise Matringe (pno), Jean-Charles François (perc). Hérissons Prod. LH07 (1 CD) (https://www.faceboo.... More »
The Minnesota Orchestra's Norbert Nielubowski shares an up-close-and-personal look at the bassoon to help us better understand what some may consider an orchestral oddball. For starters, it's not an oboe..... More »
My photos show players from L'Orchestre Philharmonique du Maroc performing al fresco in the medina at Essaouira, Morocco last weekend as part of the annual Printemps Musical Des Alizés festival. The orchestra and their choir had travelled 480km south from Rabat to give two evening concerts culmina.... More »
Handel’s “Messiah,” a tradition of the Christmas season, came to Carnegie Hall with Musica Sacra under Kent Tritle..... More »
Born on this day in 1830 poet Emily Dickinson.
Born on this day in 1822 composer César Franck.
Born on this day in 1831 librettist Philippe Gille.
Born on this day in 1908 composer Ol.... More »
Aspen Music Festival (10): American Brass Quintet, American String Quartet, Anton Nel (piano), Aspen Philharmonic, Augustin Hadelich (violin), Hannu Lintu (conductor), Soloists from Aspen Opera Theater Center. Benedict Music Tent, Harris Concert Hall, Aspen, Colorado. 28-30.7.2014 (HS) American Brass Quintet, 28 July Eric Reed, French horn Kevin Cobb, trumpet Louis Hanzlik, trumpet Michael Powell, trombone […]
Continue Reading On www.seenandheard-international.com »
* Notes * Merola Opera Program’s latest production of Don Giovanni (pictured left, photograph by Kristen Loken) opened with the first of two performances on Thursday night. Director James Darrah’s production goes against the text and the drama, with most of the action taking place in an artist’s studio, designed by Emily MacDonald and Cameron Mock…
Continue Reading On operatattler.typepad.com »
Tons of people have devoted their whole life to new music, but few people have done so to the same extent as composer/trombonist Jim Staley, who for more than a quarter of a century devoted his home to it as well. But 35 years on, Roulette has moved boroughs and has gone from being new music in someone’s home to a home for new music.
Continue Reading On www.newmusicbox.org »
A week from tomorrow, August 9 at 10 AM, I’ll be delivering a lecture on American opera at the Glimmerglass Festival. It’s a favorite subject of mine, and one I rarely get to talk or write much about. Other professors than myself teach copiously about opera at Bard, and one dream course I’ve never ventured […]
Continue Reading On www.artsjournal.com/postclassic »
A Strauss choral work and an Elgar symphony – Vassily Petrenko and the Royal Liverpool Philharmonic Orchestra shook things up with devastating impact at Prom 19. Strauss’s Festival Prelude was written for a grand occasion – the opening of a new concert hall in Vienna in 1913. It’s a massive, no-holds-barred piece glorying in drama and excess, ideal for grand surroundings like the Royal Albert Hall Strauss packs intense power concentrated in a relatively short piece…
Continue Reading On classical-iconoclast.blogspot.com »
There's a complicated drama playing out offstage at New York's Metropolitan Opera. At its most basic, it's the story of management and labor unions fighting over a supposedly dwindling pot of money. The deadline to solve the squabble before a lockout, midnight Thursday, was met with little resolution but a 72-hour extension…
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The $22 million estate of Richard Adler, composer of The Pyjama Game and other Broadway hits, has become a battleground between the great man’s son and grandchildren and his ‘high-living’ fifth wife.
Counsel for the kids says the wife, Susan Ivory, 70, went on a spending spree in the years before Adler’s death in 2012, aged 90…
Continue Reading On www.artsjournal.com/slippeddisc »
Singers and musicians held a rally on Friday morning, as other Metropolitan Opera workers rehearsed and union leaders prepared for federal mediation.
Continue Reading On www.nytimes.com »
In the 1960s, perhaps a bit earlier, a lively conversation started about “opening up” musical form, or even more directly, about a formal genre marked by such an opening, an “open form.” This might mean that the composer opens up the continuity of a work to the non-obvious sequences, or that additional choices are given to the performer with regard to the same, or perhaps listeners might engage the form of the work in ways other than the simply chronological…
Continue Reading On renewablemusic.blogspot.com »
No agenda here other than to share my enthusiasm for a recent purchase. ‘M. A. Charpentier at the Chapelle Royale de Versailles’ is the new 2 CD + DVD set from Jordi Savall, Montserrat Figueras, La Capella Reial de Catalunya and Le Concert des Nations, and it couples the composer’s Canticum ad Beatam Virginem Mariam with his Missa Assumpta est Maria and two instrumental works for viols…
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