Platinum Consort OAE Christmas Oratorio Kings Place 19 December 2013 + MORE Jan 1st
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Review – Don Giovanni (Royal Opera House, Wednesday 12 February 2014)
Don Giovanni – Mariusz Kwiecień
Leporello – Alex Esposito
Donna Anna – Malin Byström
Don Ottavio – Antonio Poli
Il Commendatore – Alexander Tsymbalyuk
Donna Elvira – Véronique Gens
Zerlina – Elizabeth Watts
Mase.... More »
The orchestra has given its approval to a leader with high standards who keeps a low profile for someone in his position..... More »
So now I can stick on my CV that I've written a monologue for a famous actor. I've had scripts for two Glyndebourne 'Opera Bites' - a sadly defunct CD series of introductions - read by Fiona Shaw (Bizet's The Pearl Fishers) and Timothy West (Prokofiev's Betrothal in a Monastery), but this one 'for' .... More »
In what feels like a roller coaster that simply won’t end, the San Antonio Symphony (SAS) recently announced a new round of cuts via a reopener to its existing two-year collective bargaining agreement (CBA), which covers the 2015/16 and 2016/17 seasons.
The only potential silver lining i.... More »
Vienna Philharmonic • Philippe Jordan
Pictures above and below (details) courtesy Salzburg Festival, © Silvia Lelli. Click on above for entire picture.
The less well known a work, the less often heard, and the less easily digested (either due to lack of immediate quality or exc.... More »
Kate Soper and Gelsey Bell, by Kobi Davis
Welcome to 2014—and what a crazy weekend for contemporary American opera in NYC January 11-12 is turning out to be. Not only will the second PROTOTYPE Festival be in full swing (about which more to come), but Morningside Opera will present Here Be Sirens, a new chamber opera by composer-vocalist Kate Soper, at Dixon Place on Saturday night and Sunday afternoon…
Continue Reading On nightafternight.blogs.com »
Paul Pelkonen must have been the only NY critic to eschew the bubbles on New Year’s night. He went to the Met and saw Fledermaus in Jeremy Sams’s new production. Here’s what he thought. Eisenstein (Christopher Maltman) woos Rosalinde (Susanna Philips) in Act II of Die Fledermaus.) Photo by Ken Howard/Metropolitan Opera.
Continue Reading On www.artsjournal.com/slippeddisc »
Antioch Chamber Ensemble, a 12-voice mixed choir from the New York area, have a new CD that puts clear, warm sound in the spotlight with 15 song settings by composer Matthew Brown.
Continue Reading On minnesota.publicradio.org »
[José Silvestre White (1835-1918), Afro-Cuban violinist and composer. Shown here after he received the 1st prize for violin at the Conservatoire de Paris in 1856. Bibliothèque Nationale de France]José Silvestre White is featured at AfriClassical.com, with a Works List by Prof. Dominique-René de Lerma, http://www…
Continue Reading On africlassical.blogspot.com »
It’s difficult to stand anywhere near composer and vocalist Lisa Bielawa and not feel energized by proximity. An extrovert to the core, she acknowledges that her highly social nature has taken her in some specific directions both as a composer and as a musical citizen.
Continue Reading On www.newmusicbox.org »
Buddha: V&A MuseumThe following is taken from a presentation given by Wagner scholar Peter Bassett during the Melbourne Ring in 2013 – which can be heard by clicking here. Printed here with kind permission of the author.Peter, is author, among much else, of lasts years study of Wagner and Verdi: 1813: Wagner and Verdi…
Continue Reading On www.the-wagnerian.com »
A. Vivaldi, Orlando furioso (1714), R. Novaro, R. Basso, Modo Antiquo, F. M. Sardelli
(released on November 13, 2012)
Naïve OP30540 | 160’40"Orlando furioso is Vivaldi’s most famous opera, having been known in modern revival since the 1970s, and it was already recorded for Naïve’s Vivaldi Edition in 2005, by Jean-Christophe Spinosi and Ensemble Matheus…
Continue Reading On ionarts.blogspot.com »
Grossenbacher/Ensemble Modern/ORF SO Wien/Deutsches SO Berlin/ Deutsche RPO Saarbrucken/Hefti(Col Legno)This collection of orchestral pieces conducted by David Philip Hefti himself overlaps with a Neos disc of the 38-year-old Swiss composer’s music that appeared last year. The sibling pieces Klangbogen from 2009, and the cello concerto Gegenklang, composed immediately afterwards and seemingly continuing the musical argument of its predecessor, are common to both; the remaining pieces here follow the timeline of Hefti’s orchestral work right up to last year…
Continue Reading On www.guardian.co.uk »
Bach: Christmas Oratorio: Parts I, III, V, VIPlatinum Consort, Orchestra of the Age of EnlightenmentScott Inglis-Kidger, condKings Place, London 19 December 2013In a season dominated by Messiahs, spare a thought for the Christmas Oratorio. Were it not for Handel’s perennial singalong, Bach’s masterpiece would have far higher visibility on our Christmas programmes – and it certainly does on the continent…
Continue Reading On orpheuscomplex.blogspot.com »
Review – Arias For Senesino – Sonia Prina & Ensemble Claudiana
Sonia Prina’s recital at Wigmore Hall was one of vocal verve, staggering technique and interpretive eloquence.
Rarely – if ever – have I heard these arias written by Handel for Senesino performed with such gusto, Ms Prina and Ensemble Claudiana imparting a deep love of Handel’s music from start to finish…
Continue Reading On lietofinelondon.wordpress.com »
Silvester fireworks in MainzI have an operatically eventful January ahead of me here in Germany: Enescu in Frankfurt, Verdi in München, hopefully a Wozzeck double-bill in Darmstadt, and if I can manage it, Elektra in Dresden. I am, believe it or not, planning to get some work done as well. But while all this excitement is keeping me busy over here, my beloved New York will also be having a very exciting month of opera…
Continue Reading On operaobsession.blogspot.com »