PROM 57: Daniel Harding’s Impressive Mahler at the Proms + MORE

 

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With ‘Rusalka,’ Will the Fourth Time Be the Charm for Mary Zimmerman? + MORE

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recitals

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 Franck, Schumann, Enescu, Ravel.  Anna Tifu (violin), Gloria Campaner (piano).  Accademia Nazionale di Santa Cecilia at Sala Sinopoli, Parco della Musica, Rome.  23.01.2015 (JB) It’s always been my policy when reporting on emerging young performers to write nothing at all rather than identify.... More »
maestro

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singer

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operas

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Triumphant Mahler 2 Harding Prom 57

– classical-iconoclast.blogspot.com

Triumphant  Mahler 2 Harding Prom 57Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall.  Harding’s Mahler Tenth performances (especially with the Berliner Philharmoniker, read more HERE) are pretty much the benchmark by which all other performances are assessed…

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Peking Opera at the Kennedy Center

– ionarts.blogspot.com

Jingju Theater Company of Beijing (photo by Lei Wang)
It has been quite a year for Chinese cultural organizations here in Washington. After tours by the China National Symphony Orchestra and Beijing Symphony Orchestra last year, the Jingju Theater Company of Beijing came to the Kennedy Center Opera House on Wednesday and Thursday night, for the first of two performances, another example of

Continue Reading On ionarts.blogspot.com »

The New York Chamber Music Festival has stepped up during the early September lull in the classical music calendar with innovative programs at Symphony Space.

Continue Reading On www.nytimes.com »

PROM 57: Daniel Harding’s Impressive Mahler at the Proms

– www.seenandheard-international.com

Prom 57 – Mahler: Kate Royal (soprano), Christianne Stotijn (mezzo-soprano), Swedish Radio Choir (chorus master: Peter Dijkstra), Philharmonia Chorus (chorus master: Stefan Bevier), Swedish Radio Symphony Orchestra, Daniel Harding (conductor). Royal Albert Hall, London, 29.8.2014 (MB) Symphony no.2 in C minor, ‘Resurrection’ This was, all told, an impressive performance of Mahler’s Second Symphony from Daniel […]

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Social media hysteria will not help new musicI decided to set some of the Vespers texts that Monteverdi had set, but I did not want to write an orthodox Roman Catholic Vespers. Religious music is difficult to write nowadays because most composers (I think it is fair to speak generally) can no longer feel themselves part of established religions; yet the religious impulse is there in all of us, and religious works of some kind are, I think, still needed…

Continue Reading On www.overgrownpath.com »

Dominique-René de Lerma: ‘On Casting’

– africlassical.blogspot.com

Dominique-René de Lerma: 'On Casting'George ShirleyDominique-René de Lerma:In a recent exchange of emails, Professor emeritus (University of Michigan) George Shirley validly stated that opera goers sought a musical experience and were willing to suspend certain expectations toward that goal.  This becomes an obligation when viewing a short, rather stout tenor (e…

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Ricardo Muti • Wiener Philharmoniker
The Death of a Symphony

ABOVE PICTURES (DETAILS) COURTESY SALZBURG FESTIVAL, © Silvia Lelli. CLICK FOR THE WHOLE PICTURE.
On paper, Riccardo Muti might be suited to Bruckner, with his tendencies to regal, broad and mellifluous textures. On record, that has not borne out: Muti doesn’t touch Bruckner often; his best—the Fourth with the Berlin Philharmonic (

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Just in: Beethoven Festival is cancelled

– www.artsjournal.com/slippeddisc

Just in: Beethoven Festival is cancelledGeorge Lepauw, who failed to pay many of his Chicago performers last year, has ‘with a heavy heart’ announced the cancellation of next month’s festival. He is under a boycott warning from the musicians’ unions.
Cancellation here. Apology nowhere. Love? Doesn’t know what it means…

Continue Reading On www.artsjournal.com/slippeddisc »

Coronation of Poppea at Grimeborn FestivalRosie Aldridge and Elizabeth Holmes Monteverdi The Coronation of Poppea; Ryedale Festival Opera, director Nina Brazier, music director Christopher Glynn; Grimeborn Festival at Arcola Theatre Reviewed by Robert Hugillon Aug 28 2014 Star rating: 5.0Small scale, but entrancing and engrossing production of Monteverdi’s final operaRyedale Festival Opera brought its production of Monteverdi’s The Coronation of Poppea to the Grimeborn Festival at the Arcola Theatre on 29 August 2014…

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Royal Albert HallSymphony no.2 in C minorKate Royal (soprano)Christianne Stotijn (mezzo-soprano)Swedish Radio Choir (chorus master: Peter Dijkstra)Philharmonia Chorus (chorus master: Stefan Bevier)Swedish Radio Symphony OrchestraDaniel Harding (conductor) This was, all told, an impressive performance of Mahler’s Second Symphony from Daniel Harding, the Swedish Radio Symphony Orchestra, their soloists and choruses…

Continue Reading On www.boulezian.blogspot.com »

Leaked emails: The Met’s defence of Klinghoffer

– www.artsjournal.com/slippeddisc

Leaked emails: The Met’s defence of KlinghofferNow the Met’s season is going ahead, opposition to its production of John Adams’s opera, The Death of Klinghoffer, has intensified. We have been forwarded a complaint by a Met supporter and a response by Ann Ziff, on behalf of the board of the Metropolitan Opera.
Read, and wonder.

Dear Ann and Members of the Board,
 
As a longstanding opera lover and patron of the Metropolitan Opera, I am writing to add my voice to the chorus of objection to your upcoming production of The Death of Klinghoffer…

Continue Reading On www.artsjournal.com/slippeddisc »

Choral at Cadogan - 2014/15 season launchLast night, 28 August, Cadogan Hall launched the 2014/15 Choral at Cadogan series with a short taster from Peter Phillips and the Tallis Scholars. The group performed three works from the Metamorphosis programme which they will be presenting at Cadogan Hall on 23 October 2014. We heard Palestrina’s Magnificat for Double Choir, a glorious work in which Palestrina starts out traditionally using the two choirs alternately but eventually varies the groupings of voices to magical effect, Orlando Gibbons’ Nunc dimittis from the ‘Short’ service which is a simple but very effective piece with a fabulous Amen, and finally Arvo Part’s Nunc Dimittis, a quietly spare work where Part reserves the climaxes for key moments such as the word ‘lumen’…

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