Thomas Larcher: What Becomes; A Padmore Cycle review beautifully tailored bespoke songs + MORE
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Michael Sanderling told the mayor of Dresden today that he will leave when his contract expires in 2019.
Sanderling, 49, is upset that the first he heard about cut to the Dresden Philharmonic Orchestra’s budget was in the local press.
He has been music director since 2011.
Ve.... More »
Yes, yes, this happened last Monday, but nonetheless here are some thoughts about the new Met Tristan...
Norma excepted, nothing brings out the haters like high profile Wagner, and there has been a lot of mixed opinion on the leads, especially Stuart Skelton’s
Tristan. Frankly, it all seems li.... More »
Retired Star Tribune columnist Dan Wascoe is also a pianist and composer. He a man full of surprises. He shares his story and playlist on today's Music with Minnesotans..... More »
The new-music radio channel Q2 has asked me participate in a series called "Current Obsessions," in which I select one work a week for broadcast. The first is Jürg Frey's String Quartet No. 3, which I wrote about in my Wandelweiser column. It will be heard at 1pm Eastern today and s.... More »
Opera Philadelphia, in collaboration with Music-Theatre Group in New York, has announced that composer Rene Orth has been selected as its sixth composer in residence. Funded by The Andrew W. Mellon Foundation, the position combines an individualized plan of study with a living stipend and health ben.... More »
On April 30, Seattle-based composer Nat Evans stepped onto the Pacific Crest Trail, beginning a summer musical residency. His project, “The Tortoise and His Raincoat: Music for a Very Long Walk”, spans five months and 2600 miles, following the Pacific Crest Trail as it winds from the Mexican border in California to the northernmost region of Washington State…
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Is opera a quest for novelty? A depressing question, because it suggests a hardening of the arteries of the soul. Change is fundamental to civilization. Throughout history, people have been motivated to take risks and do better (or worse). The inescapable fact is that no-one can ever be a clone of anyone else, even in supposedly stagnant societies…
Continue Reading On classical-iconoclast.blogspot.com »
“Truth to Power”: That’s the name of a festival the Chicago Symphony is offering from May 22 to June 5, with the idea of highlighting “music’s ability to connect people and harness the power of shared experience,” and to “inspire justice and fairness.”
The title, of course, is a shortening of “Speak truth to power,” one of the most powerful rallying cries in politics…
Continue Reading On www.artsjournal.com/sandow »
Royal Festival HallRavel – Valses nobles et sentimentalesBerlioz – Les Nuits d’été, op.7Saint-Saëns – Symphony no.3 in C minor, op.78Susan Graham (mezzo-soprano)Stephen Disley (organ)Royal Philharmonic OrchestraCharles Dutoit (conductor)The orchestral version of Ravel’s Valses nobles et sentimentales opened promisingly, the first waltz glossy, its surface properly shimmering, inviting and yet evading the question of what lay underneath…
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Brett DeanThe BBC Symphony Orchestra’s 2014/15 season at the Barbican includes some very tempting offerings. There are three operas, Smetana’s Dalibor, Bartok’s Bluebeard and Unsuk Chin’s Alice in Wonderland. Total Immersion covers John Tavener, Pierre Boulez and Percussion. Brett Dean is the featured composer, but there is also music by Kevin Volans, Thomas Larcher, Ryan Wigglesworth, Detlev Glanert, Christopher Rouse and Henze…
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Volltext aus dem Bayreuther Blätter, Juni 1878. Constantin Frantz (12. Sep 1817 – 2. Mai 1891) gehört ursprünglich um den Junghegelianer wie Max Stirner, David Strauß, Ludwig Feuerbach, Arnold Ruge sowie Marx und Engels. Später aber tritt Frantz von Hegelianismus zurrück und ging zu einer reaktionäre schellingianische Seite über…
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Letter from Pereira to Salzburg confirming that La Scala will buy their production of Falstaff.
Milan Mayor, Giuliano Pisapia, who is head of the Board of Directors at La Scala, announced today that they were offering Alexander Pereira only a year’s contract as sovrintendente of Milan’s Opera House…
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Padmore/Stefanovich/Larcher(Harmonia Mundi)A Padmore Cycle, Thomas Larcher’s songs written in 2011 for tenor Mark Padmore, sets poems by Hans Aschenwald and Alois Hotschnig. The gnomic texts sometimes seem to occupy similar territory to those of Schubert’s great song cycles. But if Larcher’s settings, which are beautifully tailored to the colour, clarity and expressive strengths of Padmore’s voice, evoke any specific 19th-century song composer it is Schumann…
Continue Reading On www.guardian.co.uk »
Considering that our industry is saturated, audiences are small, and funding is limited, it’s essential to think about how you’re going to fit into the world of new music. Perhaps it would be more worthwhile to seek an ensemble where you can share your ideas and join an already fully formed team instead of pursuing a similar venture from scratch.
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Virtuoso Rossini Arias, L. Brownlee, Kaunas City Symphony Orchestra, C. Orbelian (Delos, 2014)
Spiritual Sketches, L. Brownlee, D. Sneed (2013)
It is always good when Lawrence Brownlee is back in town. The American tenor has been featured in these pages many times before, at Wolf Trap, where he got his start, Washington National Opera, Vocal Arts Society, Washington Concert Opera (and in 2006
Continue Reading On ionarts.blogspot.com »
The German soloist can do anything with his fiddle; that’s well established. Still, his performance of Bartók’s Violin Concerto No. 2 came as a fresh shock: his massive, earthy tone, razorlike rhythmic precision and saturating lyricism. And the acrobatics! Don’t miss this program, which repeats through Saturday at Davies Symphony Hall with conductor Michael Tilson Thomas.
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